Does There Have To Be A First Time For Everything?

What a gorgeous autumn week in Nashville. After almost two weeks of daily rain and general gloominess, the sun is FINALLY back out. The timing is perfect for me, as I've been preparing to start this outdoor mural. It's been a little while since I've done mural work, but I definitely do enjoy it. This project is to beautify/ bring life to a formerly dark and dull-ish space. I'm taking lots of "before" and "after", as well as "in between" pics; I'm pretty excited about this transformation!
My goal for this job is to complete it by Saturday afternoon- just in time for the First Saturday Art Crawl. By the way, I'm dying to see Julia Martin and David Hellam's work at the Rymer this Saturday. Now for the details: the mural is on the Downtown Presbyterian Church's elevator door. The elevator is located near Church Street right around from the sanctuary's entrance. It's adjacent to the Viridian building, if that helps. I don't think you'll be able to miss it!
I do have a couple fun facts for you regarding today's process of painting in public; these facts, hopefully, will illustrate what a glamorous life I lead. First, setting up to begin work, a stranger approached me and asked "Are you hungry?". He glanced at the cardboard I'd spread next to the door; I was using it as a drop cloth, but apparently that combined with my ratty work clothes/ no make-up look made me easily mistaken for a homeless woman. Second, while most passersby went quickly and quietly on their way, a handful stopped to chat. So, when one particular passerby lingered, commenting "Pretty door", I didn't think much of it. I thought he might be drunk so I (unfortunately) kept an eye on him. He took a couple steps passed me then stopped and faced the same wall as me. I had a horrible feeling I knew what was about to happen. When I heard the trickling sound 5 seconds later, it was no longer a feeling- but a reality. Yes, a stranger urinated next to me as I worked. Really. Third, although this is not directly a part of the process, I feel it bears mentioning- there is a gentleman I see regularly walking in my neighborhood (Wedgewood between 8th and 21st)who perplexes me. I'd say he's in his late 50's and has a passion for pimp fashion. On any given day this is the type of ensemble you'll catch him sporting: tight rolled (on one leg) acid wash jeans, a silk button down, a black cowboy hat, pointy boots, and assorted costume jewelry. My man, where do you even find this stuff? Where are you going? WHO ARE YOU? Please don't ever pee next to me.

Sound Art

about SoundCrawl:Nashville Picture a Saturday night in Nashville when all the galleries are open. Beautiful people, drinks in hand, drift from one gallery to another to experience the best the city has to offer in visual art.

Now imagine that at various points along the way something new has been added, an opportunity to experience a new kind of art, art that you HEAR....sound art.

So in between the experience of the visual arts, artists and guests alike gather to listen to....a rhythmic beat of water drops....or a dizzying immersion of the sound of coins moving through space...synthetic audio wrapping around, tickling the ear drums of the city.

That evening is coming to Nashville on October 3, from 6-9pm, with SoundCrawl:Nashville.

For the first time ever, Nashville will introduce a sound art festival in conjunction with the city's monthly Art Crawl. On October 3 Nashvillians will be among the first in the nation to experience a festival of this type, an international festival bringing new compositions from all over the world.

Where better to introduce this than Music City.



about the ArtCrawl: (from www.artatthearcade.com):Every first Saturday of the month, the historic Arcade in downtown Nashville comes to life with over one thousand visitors. Multiple galleries open their doors to avid art lovers as well as anyone else that is just curious to see what the Gallery Crawl is all about. Art at the Arcade is a collective organization that hosts an assortment of contemporary artists from throughout the world to Nashville.



about SoundArt: What is Sound Art? Between 1930 and 1965, composer Edgard Varèse gave a series of lectures that have since been collected and titled “The Liberation of Sound.” In these lectures, Varese was trying to understand – and explain – his own approach to sonic expression. He, along with Pierre Schaeffer and others, began to explore the organization of sonic materials – sounds from the ambient world, evolving electronic technology, and the traditional instruments used for centuries– in any and every combination into cohesive works of audio art on phonograph (and then tape, and now computer).

The only definition that seemed to fit his music was simply: “organized sound.”

This definition has been given several labels through the years: musique concrète (in the French, Varèse and Schaeffer’s native tongue), electroacoustic music, sound collage, sound music, sound art, etc., etc. Some of these labels focus on very specific types of audio used. Some do not. Each one, however, is all encompassing of sound. Any sound. That has been organized in some way.

It’s a pretty broad definition.

The cultural and mechanical forces that influenced Varèse and Schaeffer have only become more powerful in the intervening years. With the advent of the computer and audio software, the production possibilities of sound organization – something that this town knows a bit about - seem endless. This power has brought with it technological ubiquity – computers are everywhere – and with ubiquity has come the commonplace, and with the commonplace comes the ability to focus not only on the medium (the technology used) but also on the expression (the art of the sounds used). And has changed the art of sound as we know it.

So what is sound art?

Sound \'saund\: the sensation perceived by the sense of hearing

Art \'ärt\: the conscious use of skill and creative imagination especially in the production of aesthetic objects

Sound Art \'saund ' ärt\: The conscious use of skill and creative imagination in producing aesthetic sensations perceived by the sense of hearing.

Sound. Collage. Expression. Audio. Organization. Consciousness. Creativity. Music. Art.



about the Directors: Kyle J. Baker and Aaron Hoke Doenges


Kyle J. Baker is a composer and creator in Nashville, Tennessee. While thoughtful and quick-witted in person, Kyle's raw, rhythmic and cacaphonic music turns the classical idiom on its ear. When not orchestrating cacaphony Kyle dreams up new experiences drawing on his background in theatre and interest in disruptive innovation. His music can be found at kylejbaker.com; his ideas can be found at thinkingcreator.net.








Aaron Hoke Doenges is an electroacoustic composer based in Nashville, Tennessee. While influences ranging from J.S. Bach and Arnold Schoenberg to John Cage, Edgard Varese', Jonty Harrison, Radiohead and Sigur Ros are present in Doenges’ approach to music, he blends his unique electroacoustic style through a collage of aural pictures. He explores through listening, writing and musical experimentation, searching the world around him for thoughts, sounds and melodies that can be pieced together in ways to provoke attention, thought and perhaps dialog. Music and other info can be found at www.aaronhokedoenges.com.

Bigger Pictures and Discovering Music City

I thought I wouldn't get around to posting these till tomorrow, but I just can't wait! This morning I installed the fall window display at Rodney Mitchell's Salon in Hillsboro Village. The inspiration was vaguely "back to school"; the focus of my interpretation is the travel. Stacks and stacks of old books can be a world of information and comfort, so I've included them amongst the suitcases of our Nashville bound student- let's call her Autumn. Traveling to a new city is one of my favorite learning experiences. Autumn is a traveler, too. She looked around the globe for the next destination, and decided to check out Music City. Maybe she'll like it, maybe she'll love what she discovers and will stay awhile, but Autumn still has worlds yet to be explored!

Can't Help Myself; Must Re-Post!

"An 8-year-old Rhodesian Ridgeback, Katjinga, took a liking to Paulinchen, a little pot-bellied piglet after she was abandoned by her family in Germany.

Katjinga's owners breed a pair of Vietnamese pigs and rescued the runt of the litter after seeing she had been rejected by her parents and the rest of her litter!

Katjinga had puppies of her own 10 months ago so her owners thought she might take on the responsibility to care for little Paulinchen the Pig and sure enough the two are now inseparable. Katjinga even started nursing again for the little piggy!"

This is a re- post from Perez Hilton, of all places!
Just couldn't resist.