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Did the inaugural event last year leave you wanting more? Have you heard about it, and wondered it is? Check out the "ABOUT" page from the official SoundCrawl website.
I'm looking forward to being serenaded this Saturday evening with avant garde goodness brought about by talented friend and artist, Aaron Hoke Doenges. You won't want to miss this!
ABOUT: SoundCrawl
Picture a Saturday night in Nashville when all the galleries are open. Beautiful people, drinks in hand, drift from one gallery to another to experience the best the city has to offer in visual art.
Now imagine that at various points along the way something new has been added, an opportunity to experience a new kind of art, art that you HEAR....sound art.
So in between the experience of the visual arts, artists and guests alike gather to listen to....a rhythmic beat of water drops....or a dizzying immersion of the sound of coins moving through space...synthetic audio wrapping around, tickling the ear drums of the city.
After a successful inaugural event last year, SoundCrawl:Nashville is returning this fall for a second sonic immersion of Music City. During the downtown ArtCrawl on October 2nd, from 6-9pm, Nashville will once again dive into the world of experimental audio with new sound art compositions from around the world. Compositions that immerse. Compositions that resonate. Compositions that explore.
about the ArtCrawl: (from www.artatthearcade.com):Every first Saturday of the month, the historic Arcade in downtown Nashville comes to life with over one thousand visitors. Multiple galleries open their doors to avid art lovers as well as anyone else that is just curious to see what the Gallery Crawl is all about. Art at the Arcade is a collective organization that hosts an assortment of contemporary artists from throughout the world to Nashville.
what is SoundArt: Between 1930 and 1965, composer Edgard Varèse gave a series of lectures that have since been collected and titled “The Liberation of Sound.” In these lectures, Varese was trying to understand – and explain – his own approach to sonic expression. He, along with Pierre Schaeffer and others, began to explore the organization of sonic materials – sounds from the ambient world, evolving electronic technology, and the traditional instruments used for centuries– in any and every combination into cohesive works of audio art on phonograph (and then tape, and now computer).
The only definition that seemed to fit his music was simply: “organized sound.”
This definition has been given several labels through the years: musique concrète (in the French, Varèse and Schaeffer’s native tongue), electroacoustic music, sound collage, sound music, sound art, etc., etc. Some of these labels focus on very specific types of audio used. Some do not. Each one, however, is all encompassing of sound. Any sound. That has been organized in some way.
It’s a pretty broad definition.
The cultural and mechanical forces that influenced Varèse and Schaeffer have only become more powerful in the intervening years. With the advent of the computer and audio software, the production possibilities of sound organization – something that this town knows a bit about - seem endless. This power has brought with it technological ubiquity – computers are everywhere – and with ubiquity has come the commonplace, and with the commonplace comes the ability to focus not only on the medium (the technology used) but also on the expression (the art of the sounds used). And has changed the art of sound as we know it.
So what is sound art?
Sound \'saund\: the sensation perceived by the sense of hearing
Art \'ärt\: the conscious use of skill and creative imagination especially in the production of aesthetic objects
Sound Art \'saund ' ärt\: The conscious use of skill and creative imagination in producing aesthetic sensations perceived by the sense of hearing.
Sound. Collage. Expression. Audio. Organization. Consciousness. Creativity. Music. Art.
I really enjoyed this past month's event in Downtown Presbyterian at Art Crawl; unfortunately it was up one night only. Read the press release below to get the gist of it:
Press Release:
Downtown Presbyterian Children’s Summer Arts Program
If popular caricature is at all correct and church is the place where young people are
taken to learn to hate and fear their own bodies, Downtown Presbyterian Church is going
against the grain. Led by children’s education director, Sarah Dark and with the help of
area artists J. Todd Greene, Richard Feaster, David Carlson, Mandy Rogers-Horton, and
DPC’s own Beth Gilmore, Jake Larson, and Aaron Doenges, the children of the church
are working to transform the downstairs chapel into an installation of the human body.
The show’s title? Consuming Catastrophe: The Comedy of the Heart; A Play in Ate
Parts.
Guided by the conviction that a child’s relationship with God is healthily
underway long before adults start arming them with readymade answers, Dark
customarily begins their Sunday morning classes together with a story, followed by
questions. Take Jesus’ parable of the mustard seed, for instance. “The smallest of all
seeds becomes a tree so great that many birds can make their home in it,” Dark explains.”
I asked the children, ‘How is the kingdom of heaven like a mustard seed?’” What did they
come up with?
It is growing.
It is a home for us.
It is something small that is becoming great.
“I wondered aloud how the seed knew what to grow into.”
It is very powerful.
It is what it was made for.
“I asked where the children find this kind of power.”
In the trees around us.
In the seasons changing.
In our bodies.
It was the phrase, “In our bodies” that connected Todd Greene’s vision of a
human body machine with this year’s Summer Art’s Program director Dave Carlson’s
hope for a kinetic installation. Dark explains: “After spending a few weeks on what
art might be for and how specific artists create art that is interactive and moving, it
was time to put all of our ideas together.” Reporting back to the children, she had an
announcement: “Kids, we’re going to turn the chapel into a human body that you can
walk through. Oh, and you are the mustard seeds.”
It’s Dark’s hope that the children’s creation will serve as a visual aid, for young
and old alike, in better discerning God’s redeeming work not as something that happens
in spite of our bodies but within and among them and for better imagining the breadth
and outlandish scope of God’s love. She envisions the installation as “an interactive
space that will take us deeper into the poetry of this weirdly elusive but ever-expanding
kingdom...Participants will cross the threshold of the mouth and enter a bioactive
landscape, journeying through the esophagus of darkness, beneath the soul of the
stomach, into the forest of intestines, accompanied by the music of the heart, exiting
into the quiet of a blossoming tree so inclusive that life lives forever in it.” Ideally, this
culminating event of DPC’s summer arts program will somehow, in Dark’s phrase, “put
skin and bones on the mystery of the kingdom of God.”
The show opens on September 4th in DPC’s chapel at 6:00. Food and drink will be
available as a part of the Artluck’s 1st Saturday Art Crawl.